Artur Grabarczyk - dancer, choreographer, educator, and producer. He is a graduate of the Janina Jarzynówna-Sobczak Secondary Ballet School in Gdańsk and the Northern School of Contemporary Dance in Leeds. He has danced in Scottish Dance Theatre, Baltic Opera and in many smaller troupes and independent productions in Poland and abroad. He has performed on stages across Europe and in Brazil, China, India, South Korea, and Mexico. He has collaborated with prominent choreographers in the contemporary repertory scene, such as Sharon Eyal, Damien Jalet, Anton Lachky, Jo Strømgren, Fleur Darkin, and Emil Wesołowski. He received a scholarship from the Minister of Culture and National Heritage and the Mayor of Gdańsk, and was nominated for the Barbara Bittnerówna Dance Pearl Award for his creation in the performance of ‘Process Day’ by Sharon Eyal. He has received numerous awards and residencies. He has created choreographies for Bovska, the Scottish Contemporary Dance School, the Kielce Dance Theatre, the Zawirowania Dance Theatre, and the Janina Jarzynówna Sobczak Secondary Ballet School in Gdańsk, where he works as a contemporary dance teacher. Currently, he collaborates with the Compagnie Didier Théron, the Panta Rei Dansteater, the Gdańsk Shakespeare Theatre, Klub Żak in Gdańsk, the Ciało/Umysł Foundation, the Theatre and Dance Centre in Warsaw, the Warsaw Chamber Opera, the Hevelianum Science Centre in Gdańsk, and the Copernicus Science Centre in Warsaw. He is the leader of the h.art company, for which he creates performances. He is also a producer, dancer, and assistant to Erion Kruji in the performance ‘The Symphony of The Whispering Walls’ by the h.art company.
Sefa Sagir - a multidisciplinary new media artist who explores technology, music, research, and performance. He is an instructor at the Polish-Japanese Academy of New Media Art. He creates interactive experiences that engage the audience and blend art with technology. Sagir integrates immersive visual systems and sound design with new media ideology. His focus lies in real-time theatrical performances and interactive audiovisual installations.
He is passionate about creating multidisciplinary multimedia art installations and implementing a theatrical understanding of dramaturgy. His installations facilitate collaboration with technology and bring together the spheres of different sciences, politics, and economics into a cohesive whole that can support people with diverse needs.
Bartosz Wyszyński - a multidisciplinary artist with ten years of experience. He is a creative technologist, motion designer, visual performer, and educator. He holds a master's degree in new media art, and works as a lecturer at the Multimedia Studio at the Polish-Japanese Academy of Information Technology in Warsaw, conducting classes and workshops.
His work involves experiments with generative art and new forms of artistic expression, driven by a passion for sharing knowledge, fostering collaboration, and enhancing collective creativity. As one of the founders of NVLV Studio, he focuses on creating immersive artistic experiences and transforming spaces through innovative visual designs, working for brands such as L’Oréal, Uber, NYX, and Martini.
He has collaborated with various DJ groups, bringing performances to life through dynamic visuals and projection scenography in major cities across Poland. For several years, he was in charge of the public information system in Warsaw, synchronising the work of hundreds of city screens.
Monika Marek-Łucka - a visual artist, text artist, performer, and designer. She holds a PhD in fine arts, and works as a researcher and lecturer at the Polish-Japanese Academy of Information Technology in Warsaw. She writes and talks about writing, lettering, and typography as cultural phenomena. She is the curator of the Type Directors Club Archive, the exclusive partner of TDC for Poland and Central Europe, which showcases works awarded in the annual TDC Competition, the most prestigious typography contest in the world, running continuously for 70 years. She graduated in graphic design at the Academy of Fine Arts in Wrocław and in philosophy at the University of Warsaw. Her doctoral thesis focused on the incorporation of handwriting, particularly calligraphy using new media (VR), into performing arts.